…and yes, I’m a couple of days late on posting this blog update, but here’s the link directly to the album on Facebook: click here.
Joseph O. Patton of the Capital City Free Press took time to review the Live at Seville EP. Along with calling the it “endearingly personal and a fulfilling experience for listeners,” he goes on to say:
What I’ve always enjoyed most about Carples’ work is his fiercely independent spirit, crafting the songs and stories he wants to tell, and that musical trademark is readily showcased through these five songs.
Read the entire review here.
The short film Best Friends Forever: The Love & Crimes of Tiye Ra’ and Corey is now on YouTube!
This action love story takes a glimpse into the life of a special couple destined to be infamous and together forever.
It is written and directed by C. DeWayne Cunningham of Carolyn Jean’s Son Visions (who also plays “Corey” in the film.) I got to help with some crew work – co-DP, camera op, PA, sound – and I play the character of “Daniel Andre Wilson.”
The “Live at Seville” EP is out today! Find it on your favorite platform – iTunes, Amazon, Spotify, Bandcamp, etc. And the live performances are on YouTube. It’s live, raw, emotional, imperfect. I think it was my friend Bubba Hall that used the phrase “psychological nudity” to describe what we do, and I think that’s fitting.
Special thanks to them, Jen Powell, Malerie Bussell, and the Seville Beauty & Barber Shop staff for making this happen!
No Country for New Nashville calls Brineaboy’s “Unalienable” music video “powerful,” says some other nice things about the video and the band, and even includes a quote from me in the article.
The Live at Seville EP comes out next Tuesday, but Chasing-Sky.com has an exclusive first look at one of the full videos from the EP – the song “Postmark.”
Along with the video, there is a review of the EP, which is where the title of this blog post came from.
You can wade as deep as you want in the pensiveness of the songs or use them as a sweet distraction from your own set of woes. A taste of relatable sadness, done beautifully.
Again, many thanks to C. DeWayne Cunningham (Carolyn Jean’s Son Visions), Sylvester K. Folks, Jen Powell, Malerie Bussell, and the Seville Beauty & Barber Shop staff for making this project happen, and thanks to Mary at Chasing-Sky.com for taking the time to write about it.
I know, I know, the title of this post sounds very similar to a post from last week, but it’s different, I promise.
My friend and fellow filmmaker Sylvester K. Folks has released his short film Justus & Pece on YouTube.
Synopsis: A young girl witnesses the horrifying interaction between police officers and her parents.
The film is very timely and hits on some heavy issues and current events. I’m honored to have helped out with this production and thankful to Sylvester for letting me be part of it.
Back on Set with Writer/Director/Shooter/Editor Sylvester K. Folks & Dem for Day 2 of filming "Justus & Pece". & Yes, I still got my job as "Certified Slate Operator" on this @elyjrtheather production. #BlackLivesMatter #ElyJr #NoJustice #NoPeace #BLM #Acting #IndieFilms #Canon #RodeMic #Actor #BeardGang #FilmLife #SetLife #NoDaysOff #iDGT #CJSV
The magazine wrote a little bit about the video as well, and I really like this quote:
…the video is a timely representation of the need for empathy.
I’ve got so much running through my head right now, so I’m trying to focus it all into this blog post. Please bear with me.
First of all, the entire cast and crew of this production were truly incredible. Alex and Amy (who make up Brineaboy) are wonderful, talented people, and I’m proud to call them friends. I am thankful and honored that they trusted me to direct this project and make this vision a reality.
They are also dedicated. Film productions take time, and when that time includes hours – literally hours – of being tied up and blindfolded so the director can get the needed shots, it’s not easy. Also, many thanks to Evelyn Blythe, who dragged Amy down that hallway over and over and over again.
I must also give special thanks to assistant director and producer Kristy West. Without her help, there is no way this production would have gone as smoothly as it did. Whatever was needed – from pre-production details to lighting to props to helping me keep up with the shot list and a host of other things – she handled it. I can’t sing her praises enough for all that she put into this production.
Thanks to Amber Dickinson for stepping in to handle makeup, almost last minute. Without much notice, she joined the team and nailed the bruising looks we were going for, and then duplicated it for the second day of the shoot.
I’m sure there’s so much I’m leaving out in attempts to coalesce all these thoughts into one post, so apologies for anything or anyone I’ve skipped. Many, many thanks to the entire cast and crew (and the artists who allowed their works to be on display for the video.) Their time and dedication – and chanting, haha – made this project come together nicely. (The complete list of people who made this happen are in the video description on YouTube; just click ‘show more’ to see the list.)
When the video discussions first started with Amy, Alex, and myself throwing out ideas, I knew it would be fun, but I had no idea that the finished product would debut on a magazine website with thousands of followers/readers. Thanks to Amy and Alex for believing in me.
And thank you for taking time to read this. Much love.
Last May, I got to be part of a short film project called Mercy & Plea, written and directed by my friend Sylvester K. Folks (same writer/director from The Ghost and the Negro web series and the upcoming short Justus & Pece.)
I helped with production sound as boom operator, and I also played the character “Mr. Harrington.”