Discography

G70MM_FTW

2016. Glorious 70mm. ‘Four Thousand Wings’ Original Score.

This two-song EP is the score for the short film Four Thousand Wings by Terrible Master Films.

Listen/Purchase here.

 

 

 

 

 


Cover_250NoOne

2015. solo. No One (reprise)

This is the new version of a song that originally appeared on my first solo album Note from the Georgian Hotel in 2008.

Listen/Purchase here.

 

 

 

 


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2015. Tequila Nylon + Glorious 70mm. Transmissions.

This two-song EP is a collaboration between me and my friend Alex, a.k.a. Tequila Nylon.

Listen/Purchase here.

 

 

 

 

 


2015. Glorious 70mm. 'City Federal' Original Score.

2015. Glorious 70mm. ‘City Federal’ Original Score.

This EP is the score for the short film City Federal by Foolish Henry Films.

Listen/Purchase here.

 

 

 

 

 


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2014. Glorious 70mm. INT – THE LYRIC THEATER – NIGHT

The second EP from my Glorious 70mm project. Just like the previous EP, pay what you want for private use. If you’re a filmmaker and want to use any of this for a film, contact me for licensing.

Listen/purchase here.

 

 

 

 


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2014. Glorious 70mm. EXT – SNOWY DAY

This project was started to combine my love for music with my love for film (hence the name.) I’ve got the download set up as a “pay what you want” option on Bandcamp for private use. If you are a filmmaker and are interested in using anything from this project (or, really, anything that is part of my discography), please contact me for licensing. I would love to provide score music for your film.

Listen/purchase here.

 

 


GhostOfATown_cover_square_250

2013. solo. Ghost of a Town.

This is my third solo, acoustic album. Like the first two solo albums, I handled the writing, production and recording. This one actually includes some instruments – trumpet, mainly, but one song has a small violin part – that weren’t on the previous albums.

Listen/Purchase here.

 

 


NoiseTrade_250

2013. solo. Ghost.Ocean.Sirens.

This EP, exclusively available through NoiseTrade, features one song from each of my solo albums – “Ghost of a Town,” “Ocean” and “Sirens and Street Lights,” followed by a live version of each of those songs.

Free download here.

 

 

 


2013. solo. 'Gut Munchers' Original Score.

2013. solo. ‘Gut Munchers’ Original Score.

Along with acting in the film, I was asked to write some original music for the Gut Munchers score. I was also asked to write a cheesy, acoustic song for use in the film; that is the last track, titled “Zombie Gingivitis.”

Listen/Purchase here.

 

 

 


2013. Hail the Titans. fig.

2013. Hail the Titans. fig.

We did drum tracking for ‘fig.’ at Adam’s house, some bass at Joe’s house (the recording engineer/mixer) and guitars, synth and violin at my house. Once mixed, it was mastered by Gregory Dunn of the band Moving Mountains and released on limited-edition ‘coke bottle green’ vinyl as a 12″ EP at 45 rpm.

Listen/purchase here.

 

 


2012. solo. Ocean (piano version)

This is a piano version of the song “Ocean” that originally appeared on The Final Scene. It was recorded on an old, out-of-tune piano that has seen better days. In fact, the cover photo is of the actual piano.

Listen/purchase here.

 

 

 

 


2011. Hail the Titans. Hymns of Mare Nostrum.

2011. Hail the Titans. Hymns of Mare Nostrum.

The drums for Hymns of Mare Nostrum were actually recorded in an office building. The guitars, bass, keyboards, theremins, tambourine and other very random noises were recorded at my house. I handled some of the guitar, some keys, some tambourine and some of the random noises on the album.

Listen/purchase here.

 

 

 


2011. Hail the Titans. Live, Tracked Demos.

2011. Hail the Titans. Live, Tracked Demos.

These demo versions to some of the songs that would later appear on Hymns of Mare Nostrum were recorded live in our practice space. The cover photo was taken by Pint Bottle Photography at a show we played at Bottletree in Birmingham, Ala. with Maserati and the Great American Breakdown.

Listen/purchase here.

 

 

 


Her name was Miranda (He was suspected from the start)

2010. The Boss and The Rabbi. Her name was Miranda (He was suspected from the start)

This was actually the sound check prior to the live recording of Six Victims, and it serves as a prequel to the story line. This band was always an improvisational duo, so the songs are were always made up as we went.

Listen/purchase here.

 

 

 

 


The Final Scene

2010. solo. The Final Scene.

This is my second solo album. I handled all aspects of the writing, production, recording and performing of this. Rather than the somewhat minimalist approach used on my first album, I decided to expand the recording a bit with more backing vocals, piano, organ and some lead guitar work.

Listen/purchase here.

 

 


Six Victims (The Theatre Curtain was the Color of Blood)

2010. The Boss and The Rabbi. Six Victims (The Theatre Curtain was the Color of Blood).

This album is all improvisational, live and written on the spot. As a two-piece, we switched instruments about mid-way through it, but did so without letting anything go silent. I started on guitar and keyboard, switched to drums, synth and Kaossilator, then back to guitar and keys.

Listen/purchase here.

 

 

 

 


Her Origins at Midnight

2009. The Boss and The Rabbi. Her Origins at Midnight.

These demos were improvisational, but tracked. We recorded drums first, then added guitar on a separate track. It wasn’t pre-planned though; it was more of a “go play drums for a few minutes” followed by “let’s add some guitar now.” I played guitar on the first track and drums on the second.

Listen/purchase here.

 

 

 


Note from the Georgian Hotel

2008. solo. Note from the Georgian Hotel.

This was my first solo album. I went with a minimalist approach, limiting each song to six recorded tracks. The title track was inspired by a post in Found Magazine where someone had found a bottle washed up on shore with a note inside, written on a notepad that came from the Georgian Hotel. The actual note is pictured in the physical CD version of the album.

Listen/purchase here.

 

 


Our Name in Lights

2007. Marsellus. Our Name in Lights.

This album included the band as a four-piece. I handled lead vocals and rhythm guitar. It was recorded by Andy Jackson and features pedal steel by “Spacey” Casey Prestwood.

Listen on Spotify. (Available from most online retailers.)

 

 

 


2005. Marsellus. self-titled 3-song EP

2005. Marsellus. self-titled 3-song EP.

This was recorded back when the band was a three-piece (also recorded by Andy Jackson, with assistance from Kevin Palmer). I handled guitar and vocals on this recording.

 

 

 

 

 


Five Months Late

2002. 12th Hour. Five Months Late.

I wrote the lyrics and provided lead and backing vocals on this album. Live, I took care of the rhythm guitar parts.

 

 

 

 

 


x12thhourx

1999. x12th Hourx. self-titled ep.

I only did vocals and screams on the self-titled album. Yes, screams. Teenage angst. Or something. I think we wanted to be a hardcore band, a punk band and a hard rock band at the same time. Maybe.

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