Just a couple of quick updates:
1. The first review of Spiritus is up at the Horror Movie Freaks website.
“A slow burning tale of a spectres revenge and learning your actions have consequences…even beyond the grave!” 4/5 stars.
Read the entire review here.
2. The George Lindsey UNA Film Festival is going on March 2-4 in Florence, AL. If you happen to be in that area on March 2, Four Thousand Wings is screening, along with two films written and directed by my friend C. DeWayne Cunningham of Carolyn Jean’s Son VISIONS – Best Friends Forever and The Pretty Brunette.
See the 2017 schedule here.
More coming soon…
Figured since updates might be a bit sparse, I should at least make another “Now” post. (For more about the “Now” thing, see a previous post about it.)
So, along with normal life and work stuff, this is what I’m working on:
- Editing the short film Lullaby by writer/director Ce Anderson.
- Editing audio for a live music/video project with filmmaker C. DeWayne Cunningham of Carolyn Jean’s Son VISIONS.
- Editing some behind-the-scenes interviews for the feature film Spiritus by writer/director LC Holt.
Along with that, there’s a couple of other film and music projects that are in varying levels of pre-production and production that I’ll be announcing in the weeks and months to come.
And of course, you can follow this blog via email for when there are updates, and keep in touch on Facebook, Twitter, and Instagram.
Just wanted to give some quick film updates.
This past Saturday, writer/director Trishunda Mooney held a screening for her short film Land of the Freed at the Sanctuary in downtown Montgomery. I served as Director of Photography on that film, and Terrible Master Films is a co-producer.
We had a good crowd, and I appreciate the great feedback we received on the film. The film’s editor, C. DeWayne Cunningham of Carolyn Jean’s Son Visions, captured this clip of Trishunda during the Q&A session after the screening:
The horror film Spiritus, written and directed by L.C. Holt and produced by Buck’s Row in association with Foolish Henry Films, is complete. Shane Gillis (director and co-writer of Death to the World) has finished the score, and the finishing touches have been applied.
Speaking of Shane, his band Witchchord put out their debut album on Halloween. It’s called “Nerostar,” and it’s available on Bandcamp.
And production has begun on a new short film by Sylvester Folks, the writer/director behind The Ghost and the Negro and Mercy and Plea. It’s called Justus & Pece, and it will continue production in the coming weeks. More news on that soon.
Thanks for reading.
Nothing deeply philosophical to discuss at the moment, so I’ll just give some quick updates.
The current production at the Cloverdale Playhouse is Dead Man’s Cellphone. It started last week and runs tonight through Sunday. Before the show’s opening, I got to team up with C. DeWayne Cunningham of Carolyn Jean’s Son Visions to help shoot a promo for the play. View it here. And go see the play!
Let’s see… what else? Oh, I’ve started working on a new solo album. I began tracking with Aaron Burton recently. No clue as to when I’ll finish, but it is in the works.
I recently got the chance to be part of the film Union, written and directed by Whitney Hamilton.
And a short film I served as 2nd Assistant Director on earlier this year in Atlanta – The Talk, written and directed by Jay Ward – has been accepted into some film festivals: Los Angeles Film Awards, Chandler International Film Festival, and the Hollywood Boulevard Film Festival.
Also, the short film Altschmerz, written and directed by Somica Spratley, has made it into another film festival – the Ax Wound Film Festival in Vermont. It’s showing Nov. 5.
The October edition of the Guitar Pull at the Cloverdale Playhouse was last night. Another great night, this time in their new courtyard area. I’ll be posting pics from that soon.
More stuff in the works… Thanks for reading. You can follow this blog via email (see the right side of the page) or hit me up via social media (links also on the right.)
My mother recorded a recent newscast on her DVR and made sure to save it until I could see it. Not giving anything away, she told me she had something she wanted me to see and asked, “Do you have time now?”
“Sure,” I said, as she loaded the program and hit the play button.
On the local news, they were talking about a Black Film Festival being held at Alabama State University, and there in the background was a scene from Best Friends Forever (The Love and Crimes of Tiye Ra and Corey) by my friend, writer/director C. DeWayne Cunningham of Carolyn Jean’s Son Visions. Specifically, it was the scene of me in the role of “Daniel Andre Wilson” standing over a handrail talking to the main two characters.
I said, “Woah… hey… I’m on TV.” It was quite surprising. And then the next part showed a portion of the scene of Ebony Jones as “Tiye Ra” dragging a body on the ground.
Nice surprise. Thanks to my mom for catching that for us.
Oh, and speaking of Ebony, she made the news again. There is a scene in the film with her boxing in a ring, but what you may not know is that she’s really a boxer. Another news agency ran a story about her. See it here.
Four Thousand Wings
On Saturday, my friend and fellow filmmaker C. DeWayne Cunningham and I got to screen three short films at the Cloverdale Playhouse in Montgomery. (Many thanks to them for allowing us to hold this event!)
First up was Animus by Ce Anderson, followed by my short Four Thousand Wings and then DeWayne’s Best Friends Forever (The Love and Crimes of Tiye Ra and Corey.)
We did Q&A sessions after each film to answer any questions about the story, filmmaking process, or anything else one wanted to ask.
I’ve described my film as a “surreal drama” and there are some things left ambiguous in it, so I was not sure how people might react to it. Love it? Hate it? Meh? So I must say that I was very pleasantly surprised during the Q&A that people seemed to really like it. The feedback was very positive, and as an artist – whether the medium is film, music, painting, theater, etc. – having others connect and appreciate your art is a great feeling.