‘Live at Seville’ is out!

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The “Live at Seville” EP is out today! Find it on your favorite platform – iTunes, Amazon, Spotify, Bandcamp, etc. And the live performances are on YouTube. It’s live, raw, emotional, imperfect. I think it was my friend Bubba Hall that used the phrase “psychological nudity” to describe what we do, and I think that’s fitting.

 

The videos are a Carolyn Jean’s Son Visions / Terrible Master Films collaboration, directed and edited by C. DeWayne Cunningham. He and Sylvester K. Folks ran cameras.

Special thanks to them, Jen Powell, Malerie Bussell, and the Seville Beauty & Barber Shop staff for making this happen!

‘A taste of relatable sadness, done beautifully’

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The Live at Seville EP comes out next Tuesday, but Chasing-Sky.com has an exclusive first look at one of the full videos from the EP – the song “Postmark.”

Along with the video, there is a review of the EP, which is where the title of this blog post came from.

You can wade as deep as you want in the pensiveness of the songs or use them as a sweet distraction from your own set of woes. A taste of relatable sadness, done beautifully.

Read the full review and see the “Postmark” video here.

Again, many thanks to C. DeWayne Cunningham (Carolyn Jean’s Son Visions), Sylvester K. Folks, Jen Powell, Malerie Bussell, and the Seville Beauty & Barber Shop staff for making this project happen, and thanks to Mary at Chasing-Sky.com for taking the time to write about it.

Brineaboy ‘Unalienable’ music video debut

Today is the day! The Brineaboy “Unalienable” music video officially debuted this morning on the Impose Magazine website! Click here to see it.

The magazine wrote a little bit about the video as well, and I really like this quote:

…the video is a timely representation of the need for empathy.

I’ve got so much running through my head right now, so I’m trying to focus it all into this blog post. Please bear with me.

First of all, the entire cast and crew of this production were truly incredible. Alex and Amy (who make up Brineaboy) are wonderful, talented people, and I’m proud to call them friends. I am thankful and honored that they trusted me to direct this project and make this vision a reality.

16830899_10154098454601012_6415129183369068068_nThey are also dedicated. Film productions take time, and when that time includes hours – literally hours – of being tied up and blindfolded so the director can get the needed shots, it’s not easy. Also, many thanks to Evelyn Blythe, who dragged Amy down that hallway over and over and over again.

I must also give special thanks to assistant director and producer Kristy West. Without her help, there is no way this production would have gone as smoothly as it did. Whatever was needed – from pre-production details to lighting to props to helping me keep up with the shot list and a host of other things – she handled it. I can’t sing her praises enough for all that she put into this production.

Thanks to Amber Dickinson for stepping in to handle makeup, almost last minute. Without much notice, she joined the team and nailed the bruising looks we were going for, and then duplicated it for the second day of the shoot.

I’m sure there’s so much I’m leaving out in attempts to coalesce all these thoughts into one post, so apologies for anything or anyone I’ve skipped. Many, many thanks to the entire cast and crew (and the artists who allowed their works to be on display for the video.) Their time and dedication – and chanting, haha – made this project come together nicely. (The complete list of people who made this happen are in the video description on YouTube; just click ‘show more’ to see the list.)

When the video discussions first started with Amy, Alex, and myself throwing out ideas, I knew it would be fun, but I had no idea that the finished product would debut on a magazine website with thousands of followers/readers. Thanks to Amy and Alex for believing in me.

And thank you for taking time to read this. Much love.

Quick film updates

Just a couple of quick updates:

1. The first review of Spiritus is up at the Horror Movie Freaks website.

 “A slow burning tale of a spectres revenge and learning your actions have consequences…even beyond the grave!” 4/5 stars.

Read the entire review here.

2. The George Lindsey UNA Film Festival is going on March 2-4 in Florence, AL. If you happen to be in that area on March 2, Four Thousand Wings is screening, along with two films written and directed by my friend C. DeWayne Cunningham of Carolyn Jean’s Son VISIONS – Best Friends Forever and The Pretty Brunette.

See the 2017 schedule here.

More coming soon…

Film updates for Nov. 2016

Just wanted to give some quick film updates.

This past Saturday, writer/director Trishunda Mooney held a screening for her short film Land of the Freed at the Sanctuary in downtown Montgomery. I served as Director of Photography on that film, and Terrible Master Films is a co-producer.

We had a good crowd, and I appreciate the great feedback we received on the film. The film’s editor, C. DeWayne Cunningham of Carolyn Jean’s Son Visions, captured this clip of Trishunda during the Q&A session after the screening:

13692827_1140419289355534_4407476906249183579_oThe horror film Spiritus, written and directed by L.C. Holt and produced by Buck’s Row in association with Foolish Henry Films, is complete. Shane Gillis (director and co-writer of Death to the World) has finished the score, and the finishing touches have been applied.

Speaking of Shane, his band Witchchord put out their debut album on Halloween. It’s called “Nerostar,” and it’s available on Bandcamp.

And production has begun on a new short film by Sylvester Folks, the writer/director behind The Ghost and the Negro and Mercy and Plea. It’s called Justus & Pece, and it will continue production in the coming weeks. More news on that soon.

Thanks for reading.

#setlife #justusandpece #indie #film #behindthescenes #alabama

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Audience connection

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Four Thousand Wings

On Saturday, my friend and fellow filmmaker C. DeWayne Cunningham and I got to screen three short films at the Cloverdale Playhouse in Montgomery. (Many thanks to them for allowing us to hold this event!)

First up was Animus by Ce Anderson, followed by my short Four Thousand Wings and then DeWayne’s Best Friends Forever (The Love and Crimes of Tiye Ra and Corey.)

We did Q&A sessions after each film to answer any questions about the story, filmmaking process, or anything else one wanted to ask.

I’ve described my film as a “surreal drama” and there are some things left ambiguous in it, so I was not sure how people might react to it. Love it? Hate it? Meh? So I must say that I was very pleasantly surprised during the Q&A that people seemed to really like it. The feedback was very positive, and as an artist – whether the medium is film, music, painting, theater, etc. – having others connect and appreciate your art is a great feeling.

Another “Now” post

12918396_261918314144364_2107604431_nIn December, I published a “Now” post, and maybe this one would be better titled “Lately,” but I’m not going to change it, so it’s another “Now” post. The other day a friend texted me and mentioned that I had been recently keeping a low profile, so I thought maybe it’s time for a blog update.

Last month was the 2016 Cinema Soiree where I got an audience choice award for “Best Actor in a Supporting Role” for my role as “Daniel Andre Wilson” in C. DeWayne Cunningham’s short film Best Friends Forever. I had no idea I was even up for anything, but it was definitely a nice surprise.

DeWayne is also the editor for Trishunda Mooney’s short Land of the Freed, which I served as Director of Photography for. (Terrible Master Films is an associate producer for this one as well.) I’m told that the first edit is done, so it’s well into post-production.

Along with that, I’ve been working on a song with a former band mate, and I recently spent some time in Nashville where (thanks to my friend Tara) I was able to catch the Andy Hull (Manchester Orchestra) solo acoustic tour featuring Casey Crescenzo (The Dear Hunter) as the opener.

This past weekend, I was able to serve as 2nd Assistant Director and 2nd Assistant Camera on a short film in Atlanta called The Talk with a fantastic cast and crew. So many good times.

There will be some announcements coming soon about the film Spiritus, so be sure to ‘like’ the Facebook page for updates.

And… I’ve got a couple of acoustic shows coming up:

Thursday, April 28 – I’m playing the annual truck raffle fundraiser for Brantwood Children’s Home.

Saturday, May 7 – I’m performing at Head on the Door with The Buckrabbits and Andrew Vinson.

In the meantime, I’m still on Facebook, Twitter and Instagram, which get updated more often, and I’d love to connect with you there.

Andy Hull of Manchester Orchestra, again, thanks to @tkimbro2. #music #nashville

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Day 2 of #thetalkfilm. #setlife #film #atlanta #atl

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Good news for ‘City Federal’

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City Federal

The Foolish Henry Films short film City Federal will screen at this year’s George Lindsey UNA Film Festival in Florence, AL, the first weekend of March.

Many thanks to the cast and crew that made this film a reality. Principal photography took place in fall 2014, and it was completed by early 2015. We’re very excited to have it screen at the festival.

As mentioned in the previous “Help!” and “Thank you” posts, I use the funds generated from my Glorious 70mm film score project to help cover film festival submission fees to help get these films out there. All the music there is “name your price” (even if $0.00), so download, donate, or don’t, but either way, you’ve got some instrumental film score music to listen to.

Also, if you happen to be on Facebook, please take a moment to hit the “like” button on a couple of film pages:

Foolish Henry Films (who brought you City Federal and Death to the World)

Terrible Master Films (Four Thousand Wings, the “No One (Reprise)” music video)

And if you haven’t seen the trailer for City Federal yet, here it is on YouTube:

Thanks for your generous love and support!

Help!

So here’s the deal: the first weekend of June, 2015, four guys – Adam Davila, Nick Patterson, Eric Hoehn, and myself – went to Selma to film a short dramatic film called Four Thousand Wings.

After a few delays, that film is now finished, clocking in just shy of the 10-minute mark. We’re in the process of submitting to film festivals (and as any indie filmmaker will tell you, those fees add up.)

Our budget for this film was $0. Nothing. Nada. Zilch. Everything that made this film came out of our pockets – the equipment, camera, lenses, lights, food, hotel room, etc. We did not do a crowd-funding campaign. We sat down in pre-production meetings and figured out what we could do with what we had, and we came up with a way to tell this story.

We spent that June weekend filming, getting very little sleep, going on a bag of espresso, water, and bourbon.

The synopsis of Four Thousand Wings is this:

A connection to the past is confronted when William is awakened in his hotel room by a mysterious visitor who knows more than he should.

Here’s where the “help!” comes in:

We would like to submit our film to more festivals (I say “more” because we’ve already submitted to a few), and as mentioned above, those fees add up. And even after paying the fees, it’s still a gamble as to whether it will even be accepted or not, and when I say “gamble,” well… uh… you play Powerball, right? (Sometimes the odds appear very similar.)

a2265336785_16But I’m not just asking for money. I’m not setting up a GoFundMe or anything like that.

I’m simply asking you to download the 2-song Glorious 70mm score for the film, and pay what you want. If you want it for free, enter “0.” If you’ve got a couple of bucks laying around, enter “2.00.” If you want to give more, we’ll gladly take it.

Click here to download from Bandcamp.

In fact, that goes for all the Glorious 70mm releases. Name your price. If you’re broke, download it anyway, and enjoy the music. If you want to help out with film festival fees, we’d very much appreciate your help.

 

Also, you can catch a 30-second trailer for the film (hey, it’s a short film; the trailer can’t be that long) from Terrible Master Films: